By Andrew Greer Christian
music isn’t quite sure what to do with Israel Houghton. And for good
reason. The man who ministers to thousands on a weekly basis at
Houston’s mega Lakewood Church has also created quite a name for
himself in the gospel music industry as the founder of the gold-selling
phenomenon Israel & New Breed. In addition, he has written or
co-written 11CCLI (Christian Copyright Licensing International) Top 500
favorites, a definitive list of the nation’s most-used worship songs;
and his new solo record,
The Power of One (Integrity), hosts collaborations with tobymac, Mary Mary and Martin Smith (Delirious).
During a recent rehearsal for his spring tour with Chris Tomlin, the GRAMMY Award winning worship leader visited with
CCM about his decision to make a solo record, his personal call to social action and the effort of
The Power of One to help the church make a lasting difference from the inside out.
CCM:
What prompted you to record a solo record now, especially considering
the final product’s difference from a New Breed record is mere nuances?Israel Houghton:
What we’ve seen over the last nine years is growth of the vision around
what New Breed is all about. New Breed was never meant to be my back-up
group. It was always more of a gathering—an empowering and releasing
kind of atmosphere. So late last year we did a live record. I’m not on
it at all. Of course I paid for it. [
Laughs]
It was the proudest moment of my life to watch these guys I’ve been
training and teaching and mentoring write, produce and put the songs
together themselves.
That’s why I did the solo record. To show
that space. There are a few things I want to go out and do and express.
You’re right. They are pretty nuanced differences. But I wanted to show
[Israel & New Breed] do things together; we do things separately,
but we’re still one unit.
CCM: The Power of One seems to center around the belief that “faith without works is dead.” What inspired this emphasis of activity? Israel: It’s
something that has been burning in me, realistically, for the last
three years. Maybe I was late to the party. But getting an
understanding that worship and justice go hand-in-hand was new to me.
You
read a passage like Amos 5 where God essentially says, “I could care
less about the music. I’m not interested in these big concerts and
things you guys are putting together if there is not justice attached
to it.” For me, it was a very shaking statement. I thought we were just
here to have a good time and honor God and get a bunch of people
singing.
