Janalynn Castelino Releases Soulful Version Of ‘The Old Rugged Cross’

Multilingual singer-songwriter and doctor Janalynn Castelino has released a vocally emotive version of the Crucifixion hymn ‘The Old Rugged Cross’. Delivering the indisputable iconic Christian hymn with high-pitched vocals that conjure at reverence and devotional depth, it's the 25-year-old artist's second Lenten release for the year. Capturing the essence of the Christian faith, Janalynn's soul-stirring delivery of powerful lyrics reflect on Christ's sacrifice and the promise of salvation. Written by Rev. George Bennard in 1912, 'The Old Rugged Cross' is a timeless hymn that conveys unwavering belief.

Jon Foreman Announces New Album ‘In Bloom’ Out May 31st

Prolific singer-songwriter (and lead singer of GRAMMY-Award winning rock band, Switchfoot) Jon Foreman announces his new LP, In Bloom, out May 31st. Co-produced with James McAlister (Taylor Swift, Ed Sheeran, Sufjan Stevens), the 12-song collection was crafted to accompany a drive down the California coast on a sunny afternoon.

Anthem Worship Releases New Song ‘Tears’

Anthem Worship, the renowned collective from Loma Linda, California, is excited to announce the release of their latest single, "Tears," now available on all major digital platforms. This powerful addition to their repertoire delivers a message of hope, strength, and unwavering faith that deeply resonates with audiences in today's world.

Zauntee Releases 20-Track Album ‘We Already Won’

BEC Recordings' artist Zauntee has released his full-length album, We Already Won. This 20-song album features his No. 1 song, "God Had Other Plans," which topped the Hot Chart for three weeks this year, and his viral hit "Hard Work God First" which became a Top 20 trending song on Instagram and TikTok.

Nate Parrish Releases New Single ‘Bad Excuse’

Punk rocker, songwriter and multi-instrumentalist Nate Parrish’s latest track “Bad Excuse” came out swinging today. “Bad Excuse” is the first track from an upcoming full-length album, due out later in 2024. Like much of Parrish’s music, it’s positioned as sacredly subversive.