Christian music’s alliances with mainstream entertainment corporations will all prove eternally less than successful, since they all bet first on the power of the market to deliver results and not the hand of God—something God has never been fond of. (See Bible for evidence.)

Ironically, Larry Norman, Bob Dylan and U2 will be remembered as the best of Christian music created during the “ccm” era. Gospel music will survive with integrity—both the variety created out of the African-American experience and the kind associated with country, folk, bluegrass or Americana. When convenient or strategic, Christian artists will return to using the term gospel in order to describe their music. “Ccm” has faded as an accurate moniker and will disappear altogether.

All significant Christian music, apart from worship music, will be found in the mainstream (with no connection to the Christian music industry). That’s an easy one. I forecasted that almost 10 years ago with At The Crossroads. No brag, just fact. Present, popular examples from various genres, major and indie labels and age groups: The Fray, Sufjan Stevens, Paramore, Midlake, Corrine Bailey Rae, OneRepublic, Cold War Kids, the Jonas Brothers, Bodies of Water, Flyleaf, Jon McLaughlin, Eisley, etc.

True worship music in many forms will continue to prosper as it serves the legitimate needs of the church. Commercial worship music will wane. Watch how easily people and artists lose their zeal for it when it’s not as popular.

Christian music with “worldview” lyrics is dead in the church and reborn in the world where Christian indie and major label artists will carry the torch. The majority of Christian music fans and gatekeepers in the church proved too immature or disinterested to discern whether or not a lyric was speaking to a topic from a Christian worldview. The problem of maturity and literacy will continue.

The best of the survivors of the “ccm” era will continue to create and find new ways to be faithful. Here I’m thinking of a range of artists like Phil Keaggy, Randy Stonehill, Amy Grant, Michael W. Smith, Margaret Becker, Steven Curtis Chapman, Sara Groves, tobyMac, Third Day and Jars of Clay—artists of that ilk. Another whole group of “ccm” era survivors will continue to move country music forward with great success. This includes a hundred or so Christian songwriters, several producers and many musicians. Here I’m thinking of names like Gordon Kennedy, Wayne Kirkpatrick, Chris Rodriguez, Steve Brewster, Jerry McPherson, Mark Hill, Erik Darken, Jimmie Lee Sloas and Dann Huff.

All the younger artists signed to Christian labels within the last 10 years or less will struggle to understand where they fit—if they fit at all anymore. I won’t name names, but many will exit Christian music hoping to find a home in the mainstream indie movement.

The Tooth & Nail tribe of artists will continue on. It’s about touring and live music. T&N had that right from the beginning—here’s a van and an atlas—see ya.

In the future, young musicians will think that all Christian music is dated and boring, and they will create something they think is current, relative and exciting. They will say things like: “We just wanna show people that you can be a Christian and have fun, too.” Or, “We’re not gonna hit people over the head with the Bible. We’re not Christian musicians; we’re musicians who are Christians.” Or, “We are totally sold out to Jesus. We don’t write vague, sugar-coated lyrics.”

It will be nothing but retread hubris though. I will roll my eyes and grumble that history is hell-bent on repeating itself.

So take note, the real and trustworthy future of Christian music is Christ. Find out what He’s interested in, and let that be the music’s future.

Charlie Peacock is a producer/artist/author and founder of Art House America, a non-profit center for arts, hospitality and biblical study.