When Underoath's second vocalist/drummer
spends his down time making a solo pop/rock record, then forms another band to
play live, he ends up with two extremely successful acts on his hands.
“It’s such a cool feeling being on stage
and playing ‘Amazing Because It Is,’ and there’s 600 to a 1,000 kids singing
along to ‘Amazing Grace,’” says The Almost’s newest member, Dusty Redmon.
Redmon joined up as second guitarist in Aaron Gillespie’s Underoath
side-project, and moments like this one have signaled that he made the right
choice.
“You
know that a lot of those kids haven’t been to church in a while,” he continues.
“To me, it’s like when U2 plays ‘40’ at the end of their set, and there’s
40,000 people singing Psalms 40. It’s hard for me not to believe that God is
doing something in moments like that. It’s really encouraging.”
Indeed.
It is.
But
to many of the brightest and best minds in the music industry, the recent mainstream
commercial and critical success of Underoath, and now Gillespie’s second band
The Almost, comes as a bit of a surprise. Put simply, his two young enterprises
have defied the limitations often experienced by outspoken Christians in the
world of rock & roll.
Underoath’s
Define the Great Line debuted in June 2006 at No. 2 on the Billboard Album
Chart and has effectively sold more than 360,000 copies. The March debut from
The Almost,
Southern Weather, promoted in a unique partnership between Tooth
& Nail and Virgin Records, similarly leaped to No. 39 on the album sales
chart, moving 29,000 copies its first week. The Almost’s video for lead single
“Say This Sooner” quickly entered “Big 10” rotation on MTV, as the track became
a Top 10 hit at Alternative Rock Radio by press time.
YOUNG AND ASPIRING
And all of this because Gillespie fought
off boredom during a lull in the recording of
Define The Great Line by writing
songs. The Clearwater, Fla.-native says, “When we do records, I have a lot of
down time because I play drums and then wait to do vocals; so I have five weeks
or so to do a whole lot of nothing. This year, I decided to use that time to
write a record.”
Gillespie
had written two songs while Underoath was out on a tour with Thrice—“I Mostly
Copy Other People” and “Never Say ‘I Told You So’”—which he recorded in New
York City, playing all the instruments himself. Then, with five weeks off in
the recording process, he says, “All of these songs were written with the
intention of making a record.”