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NOTHING LEFT TO PROVE
   

Growing up in a Christian home, where his mother was a pastor, Kearney is careful to explain he didn’t live in a setting that fostered a Christ vs. culture mentality. “My folks were really encouraging in music appreciation, and they were incredibly encouraging of creativity in writing and literature. All of my strong memories as a child involve music. On Sundays, to get us out of bed and get us going in the morning, my Dad would blast a Paul Simon record or Whitney Houston’s ‘I Wanna Dance With Somebody.’

   

“My parents met in Hawaii, they were these hippies who got engaged two weeks after they met, and married six weeks later. During that Jesus movement thing (in the ‘70s), that’s when faith became a real important part of their lives. They went to this really early, emerging church in Eugene, where a lot of those types were showing up. So I grew up in that non-denominational Jesus movement environment, where faith was very much a part of that other world. Eugene was very different than, say, the Bible Belt, it was more wholistic… I never waded through a theology where you have to separate from the things you like in the world, compartmentalizing my love for rock & roll, and my love for God, or my love for women. It was OK to experience the Spirit of God in all of that, which, I think, is how it was supposed to be.”
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Early on, Kearney and friends flirted with writing, he says, inspired by the usual stuff. “We’d write these things, and then read them to a girl to try and impress her… That’s where the writing thing started. We had this whole middle school beat poet vibe going. Songwriting was a glove that just fit. I was a kid with a 2.0 GPA all through high school, but I had a teacher who sat me down with a poem I had written and said, ‘You are a writer.’ I had been this weird pot-smoking kid, trying to find my way, and she said, “You are talented; you need to do this. And writing songs fit—I had been writing stuff down for years; I knew how to put words together so that it made sense—but putting it to music really brought it all together for me.”

   

Eventually, as Kearney found himself surrounded by a supportive community of Christian friends, his own faith blossomed. It’s something that is present, if subtly so, in his songs.

“This is my broken heart/this is my bleeding start/…This is my way back home/This is the narrow door you know that I will walk through/…This is my renaissance/This is my one response/This is the way I say I love you”

Like the classic tale of “pilgrim’s progress,” Kearney helped move a friend to Music City, and it opened up new possibilities for his life. He has stayed eight years thus far, although, these days, he says with no small amounts of irony, “I don’t live in Nashville; I live on a tour bus.

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COMMENTS
  • Broadcaster 6/15/2007 2:19 PM
    Awesome CD! I have his last cd and it was great as well!
  • singer07 6/12/2007 10:50 PM
    I liked his song "trainwreck' and I want to hear more about him.
  • webo 6/8/2007 4:41 PM
    Well, I wouldn't go that far. I like "Undeniable," but I'm thoroughly tired of hearing "Nothing Left to Lose." That song has been beaten to death by my local station. Wouldn't be so bad if it were a really strong song. But it's not.

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