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aaron Crider
The Change (New Day)
FOR FANS OF: Paul Baloche, Mark Schultz,
Chris Tomlin
QQQ
Turning his real-life heartaches into
declarations of musical praise, new worship
artist Aaron Crider churns out an original
collection of conversational corporate songs.
inspired by fireside chats with producer
Steve Hindalong (City on a Hill, The Choir) The
Change reflects Crider’s personal trek from
sorrow to surrender (“The Change”) as well as
his recent humanitarian involvement (“One
Child Matters”), making apparent his delight is
in the Lord no matter the circumstance.
–Andrew Greer
WE LIKE: “You Reign”
CLiCk hERE for a live, acoustic performance from
Aaron Crider
the Choir
Burning Like the Midnight Sun (Galaxy 21)
FOR FANS OF: Common Children, The Lost Dogs,
City on a Hill
QQQQ
With eleven studio CDs to its collective credit
and members’ endless resumes (including
time spent in The Lost Dogs, Common
Children, the City On a Hill worship series
and countless sessions), The Choir is one of
alternative music’s
most meaningful and
seminal acts. even
with a five year hiatus,
the band’s entrancing
rhythms, dreamy
arrangements, thought
provoking lyrics and
overall attention to artistic detail hasn’t
missed a step, ensuring its current relevance
in addition to upholding pioneer status.
–Andy Argyrakis
WE LIKE: “Between the Bare Trees”
JohnSon roBertS
Theory of Colour (Independent)
FOR FANS OF: Chris Thile, Edgar Meyer, Alison
Krauss & Union Station
QQQQ
From Point of Grace
shows to newsboys’
latest record,
Johnson Roberts has
collaborated with
some of Christian
music’s brightest stars.
But it is his debut
solo record that truly shines, capturing the
multi-faceted instrumentalist/songwriter’s
full inventiveness. Whether pursuing fresh
perspectives of historic hymns like Celtic
fiddle drones on “What Wondrous Love
(How Deep),” or initiating infectious originals
like the newgrass-inspired mandolin funk
on “Hearts Cry,” Roberts’ acoustic talents
perfectly format his earthy Americana-Folk.
Theory of Colour sonically paints breathtaking
heartland scenes.
–Andrew Greer
WE LIKE: “Among the Hills”
indie reviewS
indie
46 CCM