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Mission Matters
Britt Nicole: Helping THe lOST geT FOUnD
By Adria Haley
“It has been a long-held conviction that children have no
place in war. To make it a reality once more, we need only
to match the will of those who do evil with our own will to
do good.”
—P.W. Singer, Children at War
Most people would agree that children—regardless of
their birthplace or the dialect they first learn to speak—
have no place in war. Children are to be nurtured, taught,
loved and protected.
The very sad and sobering reality is that there is an
estimated 300,000 child soldiers in the world today (and
that number continues to increase)—many with tiny limbs
barely the length of an AK-47. In Central and Eastern
Africa, boys and girl—as young as 5 or 6 years old—have
been taken by force during violent raids on their villages
by rebel groups, such the Lord’s Resistance Army (LRA).
The boys are then taken to camps in the bush where they
are trained to kill; girls are often kept as sex slaves or
“wives” of rebel group members.
Britt Nicole, North Carolina-born singer-songwriter—
well-known for her latest album release “The Lost Get
Found”—has seen with her own eyes and felt with her
own heart the pain and tears of these African children
who have been abducted and forced to be child soldiers
(sometimes even forced to kill their own parents or
siblings).
In 2009, Britt met Amanda Lawrence of Visiting Orphans
and Bethany Haley, co-founder of eXile international,
at an event where she was performing in Nashville,
Tennessee. Amanda and Bethany were leading and
planning a trip to Uganda for both organizations in
January 2010 and asked Britt to come along. She never
had been on an international mission trip and wanted to
make sure it was God’s will for her to go—amid a busy
tour schedule—before committing. She decided to pray
about it for a bit.
Several weeks later, when Britt grabbed a book from her
shelf that she’d been hoping to find the time to read, an
eXile international business card with a note from Bethany
fell from the pages of the book. The book was Tom Davis’
30 CCM