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COREY CROWDER
This guy is the real deal. His brand of singer/songwriter/country/southern rock is
all his own, though he references some legendary influences on his media pages—
Bob Dylan, Hank Williams and the Rolling Stones. With thoughtful lyricism,
ingenius songwriting and a heart so vibrant you almost feel it pulsing through the
speakers on your stereo, I can honestly stamp a prediction of important things in
this man’s future.

Corey had this to say about his upcoming 2008 release on Tooth & Nail, produced by hit-maker extraordinaire Aaron Sprinkle (Jeremy Camp, Kutless, Hawk Nelson): “It took some growing up, personally and musically, to get to the point where I was ready to present an album like this. I grew up on country music and southern rock, and that is where I feel at home. I have poured my life into this album, and I hope people will feel that when they listen.”
Though you have to wait just a little longer to get a hold of this new disc, his past material is worth getting your hands on right away. A special edition of his previous two discs, Starting Over and Learning to Let Go, are both available for modest prices online via myspace.com/coreycrowder. For an uplifting, insightful and worshipful experience, I urge you to check him out right away.
REMOVE THE VEIL
I dig beards, swinging hair and
southern riffs. If you do too,
Remove the Veil will put a big
smile on your face. You can feel
the sweat and dirt of their
city—Birmingham, Ala.—in each
sludgy, down-home moment of their new release, Another Way Home. The
thing I love about this southern movement of heavy metal/rock & roll is that
it isn’t so morose it lacks humor or a sense that the guys behind the tunes
wouldn’t be a great conversation on your next fishing trip or pit barbecue.
This is tongue n’ cheek heavy music for those who enjoy a little sugar in their
tea or a little Waffle House on a Sunday morning after a heated sermon.
myspace.com/removetheveil
THE FAMINE
When ex-Embodyment and
Demon Hunter members get
together, it is something worth
giving a moment of your time
to. And if I had to sum up how
it makes me feel in one word,
I would choose the word
macabremassacreness. This is heavy. But it does not sound anything like the
current fads. It isn’t death metal or experimental or “core” in any way. It is
pretty cool…that is, if you like fire, explosions or chainsaws. Did I
already mention beards once in this column? Well, these beards are
bigger. See mad facial hair and hear the sound of a wrecking ball dance
party at myspace.com/thefaminedestroys.
BLESS THE FALL
Phoenix’s Bless the Fall is one of
a very small number of bands
becoming known as the
industry elite in underground
heavy music. The band’s
MySpace boasts over 7 million
plays. It’s known for packing out
general market clubs across the nation when headlining, and is about to begin
one of the biggest underground tours of the year: the “Taste of Chaos Tour”
with Avenged Sevenfold, Atreyu and Bullet For My Valentine. Though Bless
The Fall’s MySpace profile lists “Healing and Easy Listening” as one of its
genres, I doubt most will find anything soothing about the band’s sound.
Metallic breakdowns and menacing growls contrast with some very
interesting singing and harmonizing. Though you may be able to place them
in that metalcore/screamo category that is all but a ghost now, Bless The Fall
has found a way to make it fresh. Check out the latest record, His Last Walk,
studio updates and tour dates at myspace.com/blessthefall.
JON FOREMAN
Though I doubt many of you
reading this have not heard of
Jon Foreman’s wildly successful
band Switchfoot, it is time for
all of you to give an ear to his solo
prospects. Jon has engineered
an ambitious undertaking as his
first solo endeavor, namely four EPs, each titled for its respective season: Fall,
Winter, Spring and Summer. This is softer, lighter material than you would
expect from Switchfoot—lighthearted at times and quite subtle, with a wide
variety of instrumentation. Clarinets, harmonicas—and everything in
between—help create an almost fairytale-like atmosphere. I have always
thought Jon has an otherworldly voice; he proves it more than ever before on
Fall and Winter. (Spring and Summer are coming soon.) You can see his
performance schedule and preview/purchase music at jonforeman.com.
SEARCH THE CITY
As recent signees to Tooth &
Nail Records, these five
Detroitians (pronounced dee
TROY shuns) cling to an
overpowering pop/rock sound,
boasting potent melody and
clever instrumentation. Not unlike the Anberlins of the music universe, there
is high energy and riffage to lift and drive the vocal prowess here. You can
expect their new release, A Fire So Big the Heavens Can See It—produced by
James Paul Wisner (Dashboard Confessional, Underoath, The Academy Is)—
in April. In the meantime, check out the band’s debut EP, Ghosts, at
myspace.com/searchthecity.
GWEN STACY
Gwen Stacy was Spider-Man’s
first true love in the original
comic book, and one of the
most controversial figures in
animated lore, tragically killed
in an accident with Spider-Man.
Not bad at all—as creative
band names go. This Indianapolis, Ind., hardcore/metalcore quartet is gaining
steam, with a brand-new LP out titled The Life I Know. The band is also
finishing up a huge national tour (“The Vs. Tour”) with established, crushing
comrades Haste the Day, Scary Kids Scaring Kids and Drop Dead Gorgeous.
Though it exemplifies what has become known as the classic metalcore
blastbeat/breakdown/melodic chorus formula, Gwen Stacy is set apart by a
more experimental side. Fans of August Burns Red and Dillinger Escape Plan
may find something to grab hold of here.
myspace.com/gwenstacy
— Andrew Schwab is the lead vocalist and lyricist for the band Project 86. He is also the author of three books, as well as an independent journalist.